Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• 1 Blueray Disk Only.
• In Jewel Case
• Preowned
• Great Condition

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Ir! on Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, alth! ough the war action goes generic for a while and the climax fe! els a li ttle rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert HortonCaptain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pu! re action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, w! ith Evans's head attached.) The film comes up with a viable ex! planatio n for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

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National Geographic's Restless Earth Collection (Asteroids Deadly Impact/Volcano/Nature's Fury)

• Discover the devastating powers of earthquakes, hurricanes, tornadoes, volcanoes and other earth-shattering forces of nature in dramatic scenes of destruction and inspiring human courage captured by the acclaimed filmmakers of National Geographic. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: NR Age: 727994760269 UPC: 727994760269 Manufacturer No: G76026

Narrated by Oprah Winfrey, Emmanuel's Gift tells the story of a disabled orphan in Ghana, West Africa, whose father abandoned him, village dismissed him, and country thought him better off dead. This is the story of Emmanuel Ofosu Yeboah, who had nothing, but gave everything--and changed a nation forever.: If you are born disabled in Ghana, West Africa you are likely to be poisoned, or left to die by your family; and if you are not poisoned or left for dead, you're likely to be hidden away in a room; and if you're not hidden, you are de! stined to spend your lifetime begging on the streets. Of the twenty million people in Ghana, two million are disabled. This is the story of one disabled man whose mission-and purpose- is to change all that forever. In Emmanuel's Gift, filmmakers Lisa Lax and Nancy Stern have uncovered a story as compelling as it is important. Narrated by Oprah Winfrey, the film chronicles the life of Emmanuel Ofosu Yeboah, a young Ghanaian man born with a severely deformed right leg, who today, against incalculable odds, is opening minds, hearts and doors-and effecting social and political change throughout his country. While Emmanuel's message is vital: people with disabilities are valuable contributors to any society, his method is inspirational. Emmanuel begins his quest with a bicycle ride, over 600 kilometers, across Ghana with one leg-and continues to spread his vision with grit and resolve. Lisa Lax and Nancy Stern have been documenting Emmanuel's plight for over a year, having shot ! over 100 hours of powerful imagery. The film includes original! footage shot in Ghana, California, Oregon and New York, as well as photographs and other acquired film/video of Emmanuel's early years. Through it all, they have created an intimate insight into the mind and heart of a visionary whose unforgettable journey transcends continents and cultures and becomes each of ours to share.Maverick Detective Inspector Dave Creegan (Robson Green, Reckless) and his partner D.I. Susan Taylor (Nicola Walker, Four Weddings and a Funeral) are on the case in three darkly tinged mysteries.

This time out, Creegan, Taylor and the Organized and Serial Crime Unit have their hands full with some deeply disturbed criminals. One is a serial kidnapper-murderer whose fatal fascination with young women leaves Creegan with a new scar to bear. Another is a profoundly disturbed relief worker whose nightmares of atrocities committed in Bosnia impel him to erase the memories of fellow aidesâ€"permanently; and the last is an international ring of baby brokers.The fi! rst run of Touching Evil in 1999 established this British franchise as a dark, modern noir police series, an almost airless world of gloomy offices bereft of overhead lighting and viewed through a haze of dust and smoke. It's the flip side of British TV's other great cop show, Prime Suspect, but it hums with incisive writing, sharply etched characters, and dramatic intensity, the qualities that make both shows riveting. Robson Green stars as Dave Creegan, the haunted, tightly wrapped investigator whose forehead scar is a constant reminder of his near-death experience. In Touching Evil 2 the Organized and Serial Crime Unit (a fictional police division roughly equivalent to the American FBI) investigates three new cases: a flamboyant serial killer whose murders continue after he's been captured, a wave of relief workers found dead and wrapped in white shrouds, and a baby-broker with ties to a notorious ring of pedophiles. What gives the series its grit i! s the toll each case takes on the cops. Creegan's confidence i! s shatte red when a miscalculation leaves a girl dead and that misstep haunts him to the devastating series finale. His partner Susan Taylor (Nicola Walker) finds the line between her personal life and her cases blur, and junior squad member Mark Rivers (Shaun Dingwell) goes through a tormenting trial by fire--and trial under fire--to prove his courage and his competence to the unit and to himself. Police stories have rarely been more frank or uncompromising. --Sean AxmakerDiscover the devastating powers of earthquakes, hurricanes, tornadoes, volcanoes and other earth-shattering forces of nature in dramatic scenes of destruction and inspiring human courage captured by the acclaimed filmmakers of National Geographic.

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Broken Embraces [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)

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